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Portrait Artist Arkansas

Commission an Oil Portrait Painting in Arkansas From Photos or Live sittings, by Renowned Portrait Painter Hazel Morgan.

Commissioning a Portrait in Arkansas

Hazel Morgan provides a bespoke portrait painting service to clients throughout Arkansas. An award-winning artist with over four decades of professional experience, Hazel creates hand-painted oil portraits of exceptional quality for individuals, families, corporations, and institutions across the state.

From the boardroom to the family home, Hazel’s portraits have graced the walls of distinguished collectors, university halls, and corporate headquarters throughout Arkansas. Each commission begins with a personal consultation and results in a work of enduring artistic merit.

Portrait Artist Arkansas Area

As your trusted Portrait Artist Arkansas, Hazel Morgan serves portrait clients in Arkansas and the surrounding communities. Portraits are shipped directly to your door with professional packaging and full insurance coverage.

Hazel Morgan portrait artist

How to Commission a Portrait from Arkansas

Commissioning a portrait from Hazel Morgan is a collaborative and enjoyable experience, regardless of where you are located in Arkansas. The process has been refined over hundreds of commissions to ensure a seamless experience for every client.

Step 1: Initial Consultation

The process begins with a complimentary consultation - by telephone, video call, or email - during which Hazel discusses your vision for the portrait. This covers the subject, preferred composition, size, background, clothing, and any particular details you would like to include. There is no obligation at this stage.

Step 2: Photographs & References

For clients in Arkansas, Hazel can work from professional photographs, high-quality personal photographs, or a combination of multiple reference images. She provides clear guidance on the types of photographs that produce the best results. Where feasible, live sittings can also be arranged.

Step 3: The Painting Process

Once the composition is agreed, Hazel begins painting. The process typically takes between six and twelve weeks depending on the complexity of the piece. Clients receive progress photographs at key stages so you can see the portrait taking shape and provide feedback before completion.

Step 4: Delivery & Framing

Completed portraits are professionally packaged for shipping. Shipping and framing costs are provided once the painting is complete. Hazel can also recommend master framers who specialise in fine art framing to complement your finished portrait. Clients in Arkansas typically receive their portrait within one to two weeks of completion.

Hazel Morgan mixing colors

Why Clients in Arkansas Choose Hazel Morgan

Hazel Morgan brings a rare combination of artistic excellence, professional reliability, and personal warmth to every commission. Here is what sets her apart:

Over 40 years of professional experience - Hazel has been painting portraits professionally since the early 1980s, amassing a body of work that spans hundreds of commissions for private, corporate, and institutional clients worldwide.

Award-winning recognition - Her work has been exhibited at the Royal Society of Portrait Painters, the Royal Institute of Oil Painters, and other prestigious venues. She is a member of several leading art societies.

A personal, one-to-one service - Unlike studio operations, every portrait is painted entirely by Hazel herself. You deal directly with the artist from first consultation through to delivery, ensuring your vision is faithfully realised.

International shipping expertise - Hazel regularly ships completed portraits to clients across the United States, United Kingdom, Europe, and beyond. Every painting is professionally packaged to arrive in perfect condition.

Complete satisfaction guaranteed - Hazel works closely with each client throughout the painting process. Progress images are shared at every stage, and adjustments are made until you are completely happy with the finished portrait.

Hazel Morgan in her studio

Frequently Asked Questions - Portrait Commissions in Arkansas

How do I get a quotation for a portrait?

Hazel provides personalized quotations after an initial telephone consultation, during which she discusses your specific requirements. The consultation is complimentary and entirely without obligation. Please get in touch to arrange a convenient time to talk.

Do I need to sit for the portrait in person?

Not at all. The majority of Hazel’s commissions are painted from photographs, which makes the process convenient for clients in Arkansas and beyond. Hazel provides guidance on the best types of photographs to supply. Live sittings can be arranged where practical.

How long does a portrait take to complete?

Most portraits are completed within six to twelve weeks from the start of painting, depending on the complexity of the commission. Hazel provides a realistic timeline during the initial consultation. Rush commissions can sometimes be accommodated for special occasions.

Can you paint from old or low-quality photographs?

Hazel has extensive experience working with a range of photographic references, including older or lower-resolution images. She can often combine multiple photographs to create a single cohesive portrait. During the consultation, she will advise on whether your available photographs are suitable.

How is the finished portrait delivered to Arkansas?

Completed portraits are professionally packaged using custom-built crating and shipped via insured courier directly to your address in Arkansas. Shipping and framing are quoted separately after the portrait is completed.

What if I am not happy with the portrait?

Client satisfaction is paramount. Hazel shares progress photographs at key stages throughout the painting process so you can provide feedback and request adjustments. This collaborative approach means that by the time the portrait is complete, it faithfully reflects your vision.

Portrait Artist Arkansas
Arkansas

Why Hazel Loves Arkansas

Hazel admires Arkansas for its quietly extraordinary sense of place - the kind that seeps into you slowly and leaves a lasting impression. From the rolling Ozark highlands to the cypress-laced bayous of the Delta, the state carries a visual richness that feels genuinely unhurried and alive. Hazel often speaks about how the natural light in Arkansas has a particular warmth to it, especially in the late afternoon, that reminds her why she fell in love with painting in the first place. That quality of light - golden, honest, and unforced - is exactly what she tries to bring into her portrait work, and she finds that Arkansas has a way of refreshing that instinct every single time she visits.

Hazel loves the people of Arkansas most of all, and she believes that sincere affection comes through directly in her portraits of clients who call the state home. There is a groundedness to so many of the individuals she meets here - a willingness to be seen as they truly are, without pretension - and for a portrait artist, that openness is an extraordinary gift. She has spent time getting to know clients in Little Rock's Hillcrest neighbourhood and has been moved by how warmly people share their stories, their family histories, and the small details of daily life that ultimately become the soul of a finished painting. That genuine human connection is what gives her portraits their depth, and Arkansas seems to offer it in abundance.

Hazel also admires the cultural vitality that Arkansas nurtures with real pride. The Crystal Bridges Museum of American Art in Bentonville is a place she holds in particularly high regard - not only for its stunning collection but for the way it signals how deeply Arkansas values artistic life. Seeing world-class work displayed in such a beautifully considered setting reminds Hazel that her own craft belongs to something larger and enduring.

Hazel also loves the way Arkansas lingers in her memory long after she has returned to her studio. The conversations she has had, the faces she has painted, and the landscapes she has absorbed all find their way into her brushwork in ways she cannot always explain but can clearly feel. Arkansas, for Hazel, is not simply a place where she has clients - it is a place that genuinely shapes the artist she continues to become.

Ready to Commission Your Portrait?

Begin with a complimentary, no-obligation consultation. Hazel would love to discuss your portrait ideas and provide a personalized quotation for clients in Arkansas.

Request a Free Consultation

Arkansas Counties Hazel Paints Portraits In

Arkansas, Ashley, Baxter, Benton, Boone, Bradley, Calhoun, Carroll, Chicot, Clark, Clay, Cleburne, Cleveland, Columbia, Conway, Craighead, Crawford, Crittenden, Cross, Dallas, Desha, Drew, Faulkner, Franklin, Fulton, Garland, Grant, Greene, Hempstead, Hot Spring, Howard, Independence, Izard, Jackson, Jefferson, Johnson, Lafayette, Lawrence, Lee, Lincoln, Little River, Logan, Lonoke, Madison, Marion, Miller, Mississippi, Monroe, Montgomery, Nevada, Newton, Ouachita, Perry, Phillips, Pike, Poinsett, Polk, Pope, Prairie, Pulaski, Randolph, Saline, Scott, Searcy, Sebastian, Sevier, Sharp, St. Francis, Stone, Union, Van Buren, Washington, White, Woodruff and Yell.

Towns in Arkansas Where Hazel’s Portrait Clients Live

Little Rock, Heights, Hillcrest, Riverdale, Chenal Valley, Pleasant Valley, North Little Rock, Maumelle, Sherwood, Cammack Village, Benton, Bryant, Conway, Cabot, Searcy, Hot Springs, Hot Springs Village, Malvern, Arkadelphia, Pine Bluff, Stuttgart, Helena, Bentonville, Rogers, Bella Vista, Springdale, Fayetteville, Farmington, Prairie Grove, Siloam Springs, Eureka Springs, Berryville, Harrison, Fort Smith, Van Buren, Alma, Russellville, Dardanelle, Morrilton, Petit Jean, Clinton, Mountain View, Mountain Home, Bull Shoals, Batesville, Jonesboro, Paragould, Blytheville, West Memphis, Camden, El Dorado and Magnolia.

Crystal Bridges and the Arkansas Portrait

In 2011 one of the most important collections of American art in the country opened in a town of forty thousand people in the Ozarks. Crystal Bridges changed what it means to look at American painting in Arkansas, and it did it more or less overnight.

The land is Quapaw, Osage and Caddo homeland. The French claimed it, Arkansas Post was founded in 1686, and the Louisiana Purchase brought it into the United States in 1803. Cotton in the Delta, timber in the south, bauxite near Little Rock and rice in the Grand Prairie made the economy; Stuttgart still calls itself the rice and duck capital of the world, with some justification.

The Ozarks and the Ouachitas gave the state its other character. The Buffalo National River, designated in 1972, was the first national river in the United States, and the mountain counties held onto ballads, fiddle tunes and craft traditions that had largely disappeared elsewhere. The Ozark Folk Center at Mountain View still teaches them.

Hot Springs is a chapter of its own. The federal government protected the springs in 1832, making it effectively the oldest federal reserve in the country, forty years before Yellowstone. Bathhouse Row was built in marble and tile in the early 1900s; Oaklawn has raced Thoroughbreds since 1904; and for a couple of decades the town was an open city where Al Capone and Owney Madden wintered comfortably.

Eureka Springs, in the north-west, is a Victorian spa town built vertically into a hillside, with the whole of its downtown on the National Register. Above it stands Thorncrown Chapel, built in 1980 by E. Fay Jones, a Fayetteville architect who had apprenticed with Frank Lloyd Wright. It is a wooden lattice of glass and pine in the woods, and the American Institute of Architects voted it one of the finest American buildings of the twentieth century.

Then Bentonville. Sam Walton opened a five-and-dime on the square in 1950 and built the largest retail company in the world from it. His daughter Alice Walton spent two decades buying American art and in 2011 opened Crystal Bridges, designed by Moshe Safdie, in a wooded ravine with pavilions built over spring-fed ponds.

For anyone interested in portraits it is a serious collection. Gilbert Stuart’s George Washington, Charles Willson Peale, Thomas Sully, John Singer Sargent, Thomas Eakins, Mary Cassatt, Asher B. Durand’s Kindred Spirits, and Norman Rockwell’s Rosie the Riveter. Frank Lloyd Wright’s Bachman-Wilson House was dismantled in New Jersey and rebuilt on the grounds. Admission is free.

Little Rock has the Arkansas Museum of Fine Arts, rebuilt and reopened in 2023, whose collection of works on paper is one of the strongest in the region. Central High School, where nine students walked in under federal escort in 1957, is a National Historic Site and still a working school.

Arkansas has produced remarkable people out of small places. Maya Angelou grew up in Stamps in Lafayette County. Johnny Cash was raised in a New Deal resettlement colony at Dyess, now restored. Winthrop Rockefeller left New York for a cattle ranch on Petit Jean Mountain in 1953 and ended up governor.

Commissions come from a few clear areas. North-west Arkansas — Bentonville, Rogers, Bella Vista and Fayetteville — which has grown enormously around Walmart, Tyson and J. B. Hunt. Little Rock’s Heights, Hillcrest and Chenal Valley. Hot Springs and Hot Springs Village. Fort Smith. El Dorado, where oil money built a fine downtown in the 1920s. And the Delta towns of Helena, Stuttgart and Pine Bluff.

Institutional portraiture is steady: the University of Arkansas at Fayetteville and Little Rock, Arkansas State, Hendrix, Ouachita Baptist, the University of Arkansas for Medical Sciences, the state capitol — a smaller copy of the national one, which is why several films have used it — the federal courts and the older Little Rock firms.

The commonest Arkansas commission involves the outdoors. Duck-hunting subjects from the Grand Prairie, retrievers, quarter horses, and Thoroughbreds around Hot Springs. Families here often want the dog in the picture and are entirely serious about it, which is generally a good sign.