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Portrait Artist Nevada

Commission an Oil Portrait Painting in Nevada From Photos or Live sittings, by Renowned Portrait Painter Hazel Morgan.

Commissioning a Portrait in Nevada

Hazel Morgan provides a bespoke portrait painting service to clients throughout Nevada. An award-winning artist with over four decades of professional experience, Hazel creates hand-painted oil portraits of exceptional quality for individuals, families, corporations, and institutions across the state.

From the boardroom to the family home, Hazel’s portraits have graced the walls of distinguished collectors, university halls, and corporate headquarters throughout Nevada. Each commission begins with a personal consultation and results in a work of enduring artistic merit.

Portrait Artist Nevada Area

As your trusted Portrait Artist Nevada, Hazel Morgan serves portrait clients in Nevada and the surrounding communities. Portraits are shipped directly to your door with professional packaging and full insurance coverage.

Portrait Services in Nevada Communities

Hazel Morgan portrait artist

How to Commission a Portrait from Nevada

Commissioning a portrait from Hazel Morgan is a collaborative and enjoyable experience, regardless of where you are located in Nevada. The process has been refined over hundreds of commissions to ensure a seamless experience for every client.

Step 1: Initial Consultation

The process begins with a complimentary consultation - by telephone, video call, or email - during which Hazel discusses your vision for the portrait. This covers the subject, preferred composition, size, background, clothing, and any particular details you would like to include. There is no obligation at this stage.

Step 2: Photographs & References

For clients in Nevada, Hazel can work from professional photographs, high-quality personal photographs, or a combination of multiple reference images. She provides clear guidance on the types of photographs that produce the best results. Where feasible, live sittings can also be arranged.

Step 3: The Painting Process

Once the composition is agreed, Hazel begins painting. The process typically takes between six and twelve weeks depending on the complexity of the piece. Clients receive progress photographs at key stages so you can see the portrait taking shape and provide feedback before completion.

Step 4: Delivery & Framing

Completed portraits are professionally packaged for shipping. Shipping and framing costs are provided once the painting is complete. Hazel can also recommend master framers who specialise in fine art framing to complement your finished portrait. Clients in Nevada typically receive their portrait within one to two weeks of completion.

Hazel Morgan mixing colors

Why Clients in Nevada Choose Hazel Morgan

Hazel Morgan brings a rare combination of artistic excellence, professional reliability, and personal warmth to every commission. Here is what sets her apart:

Over 40 years of professional experience - Hazel has been painting portraits professionally since the early 1980s, amassing a body of work that spans hundreds of commissions for private, corporate, and institutional clients worldwide.

Award-winning recognition - Her work has been exhibited at the Royal Society of Portrait Painters, the Royal Institute of Oil Painters, and other prestigious venues. She is a member of several leading art societies.

A personal, one-to-one service - Unlike studio operations, every portrait is painted entirely by Hazel herself. You deal directly with the artist from first consultation through to delivery, ensuring your vision is faithfully realised.

International shipping expertise - Hazel regularly ships completed portraits to clients across the United States, United Kingdom, Europe, and beyond. Every painting is professionally packaged to arrive in perfect condition.

Complete satisfaction guaranteed - Hazel works closely with each client throughout the painting process. Progress images are shared at every stage, and adjustments are made until you are completely happy with the finished portrait.

Hazel Morgan in her studio

Frequently Asked Questions - Portrait Commissions in Nevada

How do I get a quotation for a portrait?

Hazel provides personalized quotations after an initial telephone consultation, during which she discusses your specific requirements. The consultation is complimentary and entirely without obligation. Please get in touch to arrange a convenient time to talk.

Do I need to sit for the portrait in person?

Not at all. The majority of Hazel’s commissions are painted from photographs, which makes the process convenient for clients in Nevada and beyond. Hazel provides guidance on the best types of photographs to supply. Live sittings can be arranged where practical.

How long does a portrait take to complete?

Most portraits are completed within six to twelve weeks from the start of painting, depending on the complexity of the commission. Hazel provides a realistic timeline during the initial consultation. Rush commissions can sometimes be accommodated for special occasions.

Can you paint from old or low-quality photographs?

Hazel has extensive experience working with a range of photographic references, including older or lower-resolution images. She can often combine multiple photographs to create a single cohesive portrait. During the consultation, she will advise on whether your available photographs are suitable.

How is the finished portrait delivered to Nevada?

Completed portraits are professionally packaged using custom-built crating and shipped via insured courier directly to your address in Nevada. Shipping and framing are quoted separately after the portrait is completed.

What if I am not happy with the portrait?

Client satisfaction is paramount. Hazel shares progress photographs at key stages throughout the painting process so you can provide feedback and request adjustments. This collaborative approach means that by the time the portrait is complete, it faithfully reflects your vision.

Portrait Artist Nevada
Nevada

Why Hazel Loves Nevada

Hazel admires Nevada for its extraordinary sense of openness and light. The vast desert skies stretch out in ways that feel almost theatrical, shifting from gold to burnt amber as the sun drops behind the ranges, and that quality of natural illumination feeds directly into her portrait work. Light, after all, is everything to a painter - it shapes the planes of a face, softens a jawline, brings warmth to the eyes - and Nevada offers it in abundance. There is also something wonderfully unhurried about the people she meets here. Clients arrive at her sittings relaxed, willing to talk, willing to simply be themselves, and that ease makes all the difference when Hazel is trying to find the quiet truth inside a person's expression.

Hazel loves the cultural richness that Nevada holds, often surprising people who expect the state to be little more than desert and casino lights. The Nevada Museum of Art in Reno is a place she returns to again and again, drawn by its thoughtful exhibitions and its genuine commitment to celebrating the visual arts of the American West. Walking through its galleries reminds her why representational work - honest, human, enduring - still matters so deeply. She also has a real warmth for the Midtown Reno neighbourhood, with its independent studios, local coffee shops, and the kind of creative community where artists of all disciplines seem to find one another naturally. There is an authenticity to the people she has met in those streets that she finds enormously refreshing.

Hazel also admires the way Nevada's history and character seem to live visibly in the faces of its residents. This is not a place where people are bland or interchangeable - Nevada has drawn dreamers, builders, risk-takers, and storytellers for generations, and that heritage shows. When she paints a Nevada client, she often feels she is painting someone with a genuine story behind their eyes, and that makes her work richer and more alive. The Neon Museum in Las Vegas, with its luminous collection of vintage signs, feels like a perfect metaphor for the state itself - bold, layered, and quietly sentimental beneath the surface.

Hazel also loves the loyalty and warmth of her Nevada clients specifically. They speak openly about what a portrait means to their family, they bring stories to share during sittings, and they treat the finished painting as something genuinely precious. That mutual respect between artist and subject is what Hazel treasures most, and she finds it here in abundance.

Ready to Commission Your Portrait?

Begin with a complimentary, no-obligation consultation. Hazel would love to discuss your portrait ideas and provide a personalized quotation for clients in Nevada.

Request a Free Consultation

Nevada Counties Hazel Paints Portraits In

Carson City, Churchill, Clark, Douglas, Elko, Esmeralda, Eureka, Humboldt, Lander, Lincoln, Lyon, Mineral, Nye, Pershing, Storey, Washoe and White Pine. Carson City is an independent city that functions as a county, and Nye County is the third largest county in the United States.

Towns in Nevada Where Hazel’s Portrait Clients Live

Las Vegas, Summerlin, The Ridges, Queensridge, Spanish Trail, Rancho Circle, Scotch 80s, Anthem, Seven Hills, MacDonald Highlands, Southern Highlands, Henderson, Green Valley, Lake Las Vegas, Boulder City, North Las Vegas, Mount Charleston, Blue Diamond, Pahrump, Mesquite, Laughlin, Reno, Old Southwest Reno, Caughlin Ranch, Arrowcreek, Somersett, Montrêux, Sparks, Verdi, Incline Village, Crystal Bay, Zephyr Cove, Glenbrook, Stateline, Minden, Gardnerville, Genoa, Carson City, Dayton, Virginia City, Fernley, Fallon, Yerington, Winnemucca, Elko, Spring Creek, Lamoille, Ely, Eureka, Austin, Tonopah and Caliente.

From the Comstock to Las Vegas: Portraiture in Nevada

Nevada has gone from the richest silver strike in American history to the most photographed city on earth in about a hundred and sixty years, and almost nothing in between has been ordinary. It is a state built on booms, which makes its portrait market unlike anyone else’s.

The land is Northern and Southern Paiute, Washoe and Western Shoshone homeland. The Washoe have lived around Lake Tahoe for at least six thousand years, and their basketry — above all the work of Dat So La Lee, whose degikup baskets are among the finest ever made anywhere — is one of the great American art traditions. Nevada became a state in 1864, rushed into the Union in the middle of the Civil War partly for its silver and partly for its votes.

The Comstock Lode was found under Virginia City in 1859 and produced something like four hundred million dollars in silver and gold. At its height the town had a population of twenty-five thousand, an opera house, an international stock exchange and a newspaper, the Territorial Enterprise, whose young reporter Samuel Clemens first signed himself Mark Twain there in 1863.

The Bonanza Kings who came out of it — Mackay, Fair, Flood and O’Brien — became four of the richest men in America. John Mackay commissioned from Tiffany a silver service of well over a thousand pieces, made from half a ton of his own Comstock silver, which took two hundred craftsmen two years. His statue stands on the campus at Reno, made by Gutzon Borglum before Borglum went to Mount Rushmore.

Nevada then legalised what other states would not. Quick divorce in 1931, which brought a stream of the wealthy to dude ranches around Reno for the six-week residence, and gambling in the same year. The Reno divorce trade lasted three decades and left the town with an unusual visiting population — Clark Gable, Marilyn Monroe and the cast of The Misfits shot there in 1960.

Painting in Nevada has a real if quiet history. Robert Cole Caples, working from the 1930s, made portrait drawings and paintings of Washoe and Paiute sitters that are among the most sensitive done anywhere in the Great Basin. Hans Meyer-Kassel, a German portraitist who had painted in Europe, settled at Genoa and painted Nevadans for twenty years. Both are in the Nevada Museum of Art.

That museum, in Reno, is the only accredited art museum in the state, and it has done something original: its Center for Art + Environment collects the archives of artists who work on and with landscape — Christo and Jeanne-Claude, Michael Heizer, Walter De Maria. Heizer has been building City, a mile-and-a-half earthwork, in the Nevada desert since 1972.

Las Vegas is the other extreme. It grew from a railway watering stop in 1905, to a Hoover Dam construction town in the 1930s, to something with no real precedent. The resorts now hold serious art — Bellagio has run a gallery of fine art since 1998, and the Strip has commissioned major sculpture and design. Nevada also holds the Black Rock Desert, where Burning Man builds and burns a temporary city of seventy thousand people each August.

Ranching persists across the north and is the oldest continuous business in the state. Elko County, larger than nine American states, has cattle families going back to the 1870s, and the National Cowboy Poetry Gathering has met in Elko every winter since 1985. Sheep were run for a century largely by Basque herders, and Elko’s Basque festival is one of the largest in the country.

Commissions come from three quite separate worlds. Las Vegas and Henderson — Summerlin, The Ridges, Queensridge, MacDonald Highlands, Lake Las Vegas — where much of the money is recent and the houses are modern and very large. The Reno–Tahoe corridor, including Incline Village, Glenbrook and the Carson valley at Genoa and Minden, which has drawn a steady migration of families out of California. And the ranching counties around Elko, Winnemucca and Ely.

Institutional portraiture exists too: the University of Nevada at Reno and Las Vegas, the Desert Research Institute, the medical schools, the state capitol at Carson City, the federal courts, the gaming corporations and the older Las Vegas and Reno firms.

Two Nevada commissions stand out. The ranch portrait, with horses and a great deal of sky, which has not changed much in a century; and the Tahoe house portrait, painted for a room with a wall of glass over the lake. The light in the Great Basin is extremely clear and the shadows go blue-violet, which is a gift to a painter and a trap to a careless one.